A Remarkable Notebook: Coleridge’s Companion in Malta

An open page of the Malta notebook

Contributor: Jeff Cowton

Location: Dove Cottage, Grasmere

Description: The ‘Malta Notebook’, as this manuscript has become known, measures 177 x 120 x 38mm and is bound in vellum. It has one hundred and eighty-six leaves of hand-made paper of different tints, written mostly on both sides, and holding about eight thousand lines of poetry of Wordsworth’s unpublished work at that time. It is the result of an intense period of sorting, assimilation and copying of verses involving William, Dorothy and Mary Wordsworth in February and March of 1804. Significantly, it is a gift of love from the Dove Cottage household to Samuel Taylor Coleridge, their close friend and fellow poet, to be his companion during his forthcoming time in the Mediterranean.

Taken together, it is one of the greatest treasures in the Wordsworth Trust’s Designated Collection.

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Dorothy’s Room (2018) created by Louise Ann Wilson

Image of Dorothy's Room art installation

Contributor: Louise Ann Wilson

Location: Rydal Mount, Ambleside

Dorothy’s Room (2018) is an immersive, multi-media installation made in response to Dorothy Wordsworth’s Rydal Journals, written between (1824 -1835) whilst she was living at Rydal Mount near Ambleside.

The installation makes material Dorothy’s deeply-felt longing to be outside when, due to illness she was bedroom bound for long periods, and also reveal how she was able to walk her longed-for landscapes by using the ‘power’ of her imagination.

The installation was originally created for Dorothy Wordsworth’s bedroom at Rydal Mount, Ambleside, Cumbria where she lived with William and Mary Wordsworth from 1813 until her death in 1850, before transferring to the Wordsworth Trust Museum, Grasmere, the Peter Scott Gallery, Lancaster and the Royal Geographical Society, London.

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A Page from Keats’s Anatomy Notebook

A Page From Keats's Anatomy Notebook

Contributor: Caroline Bertonèche

Location: Keats House, Hampstead

Description: In 1815, John Keats (1795-1821) was a medical student at Guy’s Hospital, in London, studying to become a surgeon. To prepare for his lectures, Keats bought a series of dissection manuals, The London Dissector, and Outlines of a Course of Dissections for the Use of Students at St. Thomas’s Hospital, which was published in 1815, the year Keats arrived at the United Hospitals; in 1820 it was enlarged under the title The Dissector’s Manual. Since Keats entered Guy’s Hospital during the transition period between The London Dissector and the Outlines, it is probable that he owned both; he would certainly have owned the latter, which was recommended by his professor, Sir Astley Cooper. Cooper also recommended two other texts to his students: Fyfe’s Anatomy, and Blumenbach’s Physiology. Aside from these manuals and a case of dissecting instruments, Keats owned a couple of notebooks. One of these notebooks was this Anatomy notebook, containing his notes of Cooper’s teachings on anatomy and physiology (12 lectures in total, including chapters entitled “On the Blood”, the “Arteries”, the “Nervous system” or the “Muscles”). Keats paid, at the time, two shillings and two pence for this leather-bound, unpaginated notebook, wrote his name in the inside cover and left a few blank pages in the middle. The notebook is now part of the Keats House collection in Hampstead. It is being displayed open in a glass case at one of the most fascinating, and most famous, pages: the twenty-seventh page, where Keats drew some flowers in the left margin near a description of how to repair a dislocated jaw. This page therefore brings together Romantic poetry and science into intriguing relationship.

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Two pages from Dorothy Wordsworth’s Grasmere Journal

Page from Dorothy Wordsworth's Grasmere Journal, 15 April 1802

Page from Dorothy Wordsworth's Grasmere Journal. 1802

Contributor: Jeff Cowton

Location: The Wordsworth Trust, Grasmere

Description: In 1799, when they were both in their late twenties, William and Dorothy Wordsworth moved to make a new life together in Dove Cottage, Grasmere, UK. In May 1800, William left Grasmere for a short absence and Dorothy decided to write a journal for his ‘pleasure’ when he returned. So began a journal that she continued to write for the next thirty or so months. Four notebooks survive; a fifth, covering most of 1801, is now missing. Written largely within the Dove Cottage household, the journal contains Dorothy’s vivid observations of domestic life, her neighbourhood and the natural world, from the mundane to the extraordinary, from the sixth delivery of the coal, to the remarkable sight of reflections off the lake. As a result, as the UNESCO UK Memory of the World register entry puts it, ‘From the journal we can picture the scene of brother and sister walking, talking, reading and writing together. It is an intimate portrait of a life in a place which, to them, was an earthly paradise.’ It not only provides evidence for the nature of the relationship between brother and sister but for their creative working practices. The two pages shown here offer clues to two mysteries: the genesis of one of the most important of all Romantic poems, known popularly as ‘Daffodils’; and why Dorothy left off writing her Journal.

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The notebook shared by the Shelleys, 1814-1818

Location: Library of Congress, Washington D.C., United States of America

Contributor: Anna Mercer

Description: This is the inside cover of a notebook jointly owned by Percy Bysshe Shelley (PBS), Mary Wollstonecraft Shelley (MWS), and Claire Clairmont. It was used by this close-knit group of writers from 1814-18, and is now held in the Library of Congress. The notebook accompanied the Shelleys and Claire on their 1816 travels through Europe, and contains material in all three of their hands, some of which pertains to the composition and publication of MWS’s first novel Frankenstein. Continue reading “The notebook shared by the Shelleys, 1814-1818”