About the Organization

ERA (European Romanticisms in Association) is a pan-European organization, bringing together individual researchers, scholarly associations and heritage institutions such as libraries, museums, and galleries in both real and virtual spaces.  It functions as an interdisciplinary forum to facilitate productive dialogue on the diverse forms of Romanticism across Europe, exploring how romantic writers and their works have moved across national borders and periods in ways that illuminate, investigate, and challenge romanticism’s installation of the idea of national literatures and cultures.

To do this, ERA is promoting a series of annual interdisciplinary events distinguished by targeted collaboration between academic institutions and libraries, museums, galleries, theatres, and groups with an interest in Romantic cultures.  Our intention is to develop a new, distinctive, collaborative, and inclusive model of interaction and collaboration between these existing organizations.  Events presently projected aim to explore the north, south, east and west of Romanticism in Europe.  Locations include Chawton & Oxford (UK), Bologna (Italy), Budapest (Hungary), Paris (France), Ravenna (Italy), Cadiz (Spain), Porto (Portugal) and Frankfurt (Germany).  Projected themes include anniversaries, house-museums, the European gothic, transnational poetic form, revolutions, and translations.

The working language of the group is English, without prejudice to reflecting the recognition and celebration of the linguistic and cultural diversity which is Europe.

George and Robert Cruikshank, ‘A Shilling Well Laid Out – Tom and Jerry at the Exhibition of Pictures at the Royal Academy’ (1821).  Image in the public domain.


ERA brings together existing scholarly associations and heritage organizations devoted to Romanticism.  The Core Working Group presently comprises:

BARS (British Association for Romantic Studies) and AHH (Anglo-Hispanic Horizons Network): Professor Ian Haywood, University of Roehampton.

CETAPS (Centre for English, Translation, and Anglo-Portuguese Studies): Professor Jorge Bastos da Silva, University of Porto.

Chawton House Library: Dr Gillian Dow, University of Southampton.

CISR (Inter-University Centre for the Study of Romanticism): Professor Lilla Maria Crisafulli, University of Bologna.

German Society for Eighteenth-Century Studies: Prof Birgit Neumann, University of Dusseldorf.

Global18C Erasmus Mundi: Dr Tom Irvine, University of Southampton.

Keats-Shelley House, Rome: Dr Giuseppe Albano.

KNIR (Koninklijk Nederlands Instituut Rome): Professor Dr Harald Hendrix, National Academies of Rome and University of Utrecht.

LitHouses and The Wordsworth Museum and Jerwood Centre at Dove Cottage: Mr Jeff Cowton.

Museo Byron, Ravenna: Professor Diego Saglia, Università degli Studi di Parma.

Museum of Romanticism and Frankfurter Goethemuseum: Dr Joachim Seng.

NARS (Nordic Association of Romantic Studies): Professor Robert W. Rix, Copenhagen University.

Petőfi Literary Museum, Budapest, and ICLM (International Council of Literary Museums): Ms Gabriella Gulyás.

SERA (Société d’Études du Romantisme Anglais): Professor Caroline Bertonèche, Université Grenoble Alpes

SFEDS (Société Francaise d’Etudes du Dix-Huitième Siècle): Professor Catriona Seth, All Souls College, Oxford University.

Association Co-ordinator: Professor Nicola Watson, Open University.

Website: Dr Francesca Benatti, Open University, and Dr Matthew Sangster, University of Glasgow.

Title page of the first edition of Jane Austen’s Emma (1816). Image from Wikimedia Commons.

News and Upcoming Events

Dreaming Romantic Europe AHRC Network Grant

ERA is delighted to announce that the project Dreaming Romantic Europe has been funded by an AHRC Network Grant from 1 September 2018 through to 31 July 2020. Initiated from within the ERA network, the project (PI Professor Nicola J Watson, Open University, Co-I Professor Catriona Seth, Oxford University) will run three workshops in Paris (in association with the Maison Chateaubriand), Ravenna (with the Museo Byron), and Grasmere (with Dove Cottage) with the aim of developing and reflecting upon RÊVE (Romantic Europe: The Virtual Exhibition) both as an intellectual venture and a pedagogical resource and model.

Reputations, Legacies, Futures: Jane Austen, Germaine de Staël and their contemporaries, 1817-2017 (Chawton House Library, Hampshire, 13-15 July 2017)

François Gérard (1770–1837), ‘Portrait of Madame de Staël’ (c. 1810). Image from Wikimedia Commons.

Keynote Speakers: Benjamin Colbert, University of Wolverhampton; Alison Finch, University of Cambridge; Deidre Lynch, Harvard University.

Call for Papers: July 1817 saw two deaths – of Jane Austen, an English novelist with a solid but relatively modest success, and of Germaine de Staël, a long-standing superstar of pan-European intellectual, political and literary life. Over the two centuries since, the relative reputations of these two writers have re-aligned in ways that would have astonished their contemporaries, admirers and critics alike. This joint anniversary provides an unrivalled opportunity to bring scholars together to reflect on the connections, continuities, and contrasts between these two writers’ careers both in their lifetimes and after, and to think about the waxing and waning across Europe and beyond of the literary reputations of eighteenth-century and Romantic-period women writers more generally.

The organisers invite submissions of 20 minute papers. Topics might include, but are not limited to:

  • Connections and continuities between Austen and Staël (including, for instance, Austen’s familiarity with/awareness of the writings of Staël and vice versa, or their dealings with the firm that published them both, John Murray)
  • The reputations and reception of women writers in Europe and beyond, both in their own lifetimes and subsequently
  • Contemporary and subsequent models for the woman writer, thinker and genius
  • The celebration of women writers, including portraiture, biography, the fame of associated place, commemorative events
  • The sale, import, export, translation, abridgement, extraction, illustration, adaptation of the works of women writers from their lifetimes to the present
  • Echoes, influence, and reiterations, especially those women writers  described as ‘other’ Austens and Staëls in Europe and America
  • The changing relative placement of these writers in relation (for instance) to notions of the centre and the periphery, the cosmopolitan and the national, the hierarchies of genre
  • The futures of reading and teaching women’s writing of the period
  • Other anniversaries associated with women writers falling in 1817 (such as, for instance, the career-defining publication in London and Paris of Sydney Owenson/Lady Morgan’s France).

Organising Committee: Dr Gillian Dow (Executive Director of Chawton House Library and Associate Professor in English at the University of Southampton) [Gillian.Dow@chawtonhouselibrary.org]; Professor Catriona Seth (Marshal Foch Professor of French Literature, All Souls College, Oxford University) [Catriona.Seth@mod-langs.ox.ac.uk]; Professor Nicola J Watson (Professor of English Literature, Open University) [Nicola.Watson@open.ac.uk].

Departing into the Romantic Universe: August Wilhelm Schlegel (Freies Deutsches Hochstift – Frankfurter Goethe-Museum, 5 September-12 November 2017)

September 5th 2017 marks the 250th anniversary of one of the central characters of German and European Romanticism: the author, translator and philologist August Wilhelm Schlegel (1767–1845). He was the most cosmopolitan of the German romanticists, a ‘universal poet’ and a ‘universal scholar’ whose thirst for knowledge extended far beyond its literary aspects. Being used to crossing cultural, artistic and scientific frontiers, he was always searching for differences on his journeys in order to find common ground between European and Indian culture. From 1804 until 1817 he lived together with Germaine de Staël, acting as a teacher for her children as well as a conversation partner and consultant concerning questions of German, French and European culture. In the process he brought the ideas of German Romanticism to Europe.

Like no other of his contemporaries, August Wilhelm Schlegel acted as a mediator between cultures: his translations of great works of world literature in different languages like English, Spanish, Italian and Portuguese are still well respected, particularly his Shakespeare translations, which are exemplary even by today’s standards.

For a long time, the outstanding importance of August Wilhelm Schlegel for German and European Romanticism was underestimated. It is only recently that this innovative and versatile author and intellectual could be fully rediscovered by working through the testimonies of his life and works, many of which can be found in the collection of Freies Deutsches Hochstift.

The exhibition at the Freies Deutsches Hochstift on the occasion of August Wilhelm Schlegel’s 250th birthday wants to bring to life this ‘universal poet’ by showing originals (work manuscripts, correspondence, portraits, graphics, Schlegel’s Indian miniature collection etc.) that are little known at present. In addition, it will offer multi-media-based access. The centre of the exhibition will be Schlegel’s intercultural work that flourished anew at every single place in Europe that he visited.

On the 28th August 2017 – the day which marks Goethe’s birthday – there will be a preview of the exhibition. After the official opening on 5th September 2017, the exhibition will be on display until the 12th November 2017. After that, the exhibition will be modularized to be adapted to the needs of the locations to follow: Ernst-Moritz-Arndt-Haus in Bonn, University Library of Philipps-University in Marburg and the Literature Museum Romantikerhaus in Jena.

Read More About RÊVE

ERA’s online research project, Romantic Europe: The Virtual Exhibition (RÊVE) launched in summer 2017. The virtual exhibition is designed to address both an academic and a general audience as an interdisciplinary project showcasing and sharing Romantic texts, objects, and places through collaborations between academic researchers, museums, galleries and other cultural groupings.  It is now supported by BARS (the British Association for Romantic Studies) and is the core research project of the AHRC-funded project Dreaming Romantic Europe (PI Professor Nicola J. Watson, Open University) and Professor Catriona Seth (Co-I All Souls, Oxford).

The Poet’s Room, Frankfurt Goethe House
Dichterzimmer, Frankfurter Goethe-Haus (© Freies Deutsches Hochstift – Frankfurter Goethe-Museum).