A Remarkable Notebook: Coleridge’s Companion in Malta

An open page of the Malta notebook

Contributor: Jeff Cowton

Location: Dove Cottage, Grasmere

Description: The ‘Malta Notebook’, as this manuscript has become known, measures 177 x 120 x 38mm and is bound in vellum. It has one hundred and eighty-six leaves of hand-made paper of different tints, written mostly on both sides, and holding about eight thousand lines of poetry of Wordsworth’s unpublished work at that time. It is the result of an intense period of sorting, assimilation and copying of verses involving William, Dorothy and Mary Wordsworth in February and March of 1804. Significantly, it is a gift of love from the Dove Cottage household to Samuel Taylor Coleridge, their close friend and fellow poet, to be his companion during his forthcoming time in the Mediterranean.

Taken together, it is one of the greatest treasures in the Wordsworth Trust’s Designated Collection.

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Wordsworth’s Wishing-Gate

Colour illustration of a lake and hills at Grasmere, including the wishing-gate

Contributor: Jeff Cowton

Location: The old Grasmere – Rydal Turnpike Road, Grasmere

Description: ‘Wordsworth’s Wishing-gate’, and what remains of it, tells a paradigmatic Romantic story of literary tourism in the heart of the English Lake District in the mid nineteenth century.

By the middle of the nineteenth century, literary pilgrimages around Britain were already popular with tourists from home and abroad. As Nicola J. Watson writes: ‘The French poet and scholar Auguste Angellier remarked on the huge numbers of literary pilgrims who came to Britain from the four corners of the world to pay homage to the country’s writers.’ From the 1820s, such tourists came to the Lakes in search of Wordsworth: the man himself and the places associated with his poetry. ‘Strangers’, as tourists were then addressed, were encouraged by published guidebooks to call on the poet at his Rydal Mount home for personal tours of his garden. An image showing Wordsworth standing in his library was included in a popular set of prints in the 1830s; by the 1850s his name was synonymous with the area: ‘Wordsworth Country’. One particular place of pilgrimage was ‘The Wishing Gate’, a humble farm gate on the old turnpike road overlooking Grasmere lake, just five minutes’ walk from Dove Cottage which the Wordsworths had made their home between 1799 and 1808.

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A copy of Wordsworth’s Guide to the Lakes, 1822

A copy of Wordsworth’s Guide to the Lakes, 1822

Contributor: Jeff Cowton

Location: The Wordsworth Trust, Dove Cottage, Grasmere

Description: This is a copy of the 1822 edition of William Wordsworth’s Guide to the Lakes in its original board covers, containing an account of an ascent of England’s highest mountain, Scafell Pike. Five hundred copies of the Guide were printed, selling for 5/- (25p) each. This copy is of a size that could be carried on a tour. Wordsworth’s Guide was deeply influenced by his travels in Europe, in particular his experience in 1790, when he (then twenty years old) walked through France to the Alps with his friend Robert Jones. The history of this account of the ascent of Scafell Pike suggests in addition how Rousseau’s influential depictions of the Alps affected how the landscape of the Lakes was experienced.

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Two pages from Dorothy Wordsworth’s Grasmere Journal

Page from Dorothy Wordsworth's Grasmere Journal, 15 April 1802

Page from Dorothy Wordsworth's Grasmere Journal. 1802

Contributor: Jeff Cowton

Location: The Wordsworth Trust, Grasmere

Description: In 1799, when they were both in their late twenties, William and Dorothy Wordsworth moved to make a new life together in Dove Cottage, Grasmere, UK. In May 1800, William left Grasmere for a short absence and Dorothy decided to write a journal for his ‘pleasure’ when he returned. So began a journal that she continued to write for the next thirty or so months. Four notebooks survive; a fifth, covering most of 1801, is now missing. Written largely within the Dove Cottage household, the journal contains Dorothy’s vivid observations of domestic life, her neighbourhood and the natural world, from the mundane to the extraordinary, from the sixth delivery of the coal, to the remarkable sight of reflections off the lake. As a result, as the UNESCO UK Memory of the World register entry puts it, ‘From the journal we can picture the scene of brother and sister walking, talking, reading and writing together. It is an intimate portrait of a life in a place which, to them, was an earthly paradise.’ It not only provides evidence for the nature of the relationship between brother and sister but for their creative working practices. The two pages shown here offer clues to two mysteries: the genesis of one of the most important of all Romantic poems, known popularly as ‘Daffodils’; and why Dorothy left off writing her Journal.

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