Contributor: Bénédicte Prot
Translation: Susan Seth
Description (English): In 1819, in Paris, the Breton doctor René-Théophile-Hyacinthe Laennec (1781-1826) published De l’auscultation mediate, the first edition of the treatise in which he presented the results of several years of clinical research as well as the uses of a medical instrument which he had invented: the stethoscope. Placed at the centre of clinical practice, the new tool was to contribute to the development of pathological anatomy and refine the diagnosis of cardiac and pulmonary illnesses. Henceforward the doctor disposed of a means of exploration and a form of mediation which come from a different relation to the patient and render the sick body not only readable but also audible.
There is nothing less romantic, it might seem, than this wood cylinder which, admittedly under a different form, has become the attribute by which we recognise the doctor from the first glance… Yet on the occasion of the 200th anniversary of Laennec’s treatise, let us see how the stethoscope was able to become a link between medicine and literature during the Romantic period.