Contributor: Emese Asztalos
Description: Sándor Petőfi (1823–1849) was not just a poet, but also a cultural hero and icon in Hungary. In his lifetime he was already what we might spell with symbolic capital letters: The Romantic Poet. His name could be transformed into a term, as in the case of Byron or Liszt. Of course this “Petőfism” is not so extensive as Byronism or Lisztomania, but still, the main features and attributes of his character could be also be abstracted to many of the same symbolic Romantic meanings, for instance freedom, youth or independence.
This portrait of Petőfi was painted by Miklós Barabás, who was the main protagonist of nineteenth-century Hungarian Art. All the most important figures of the nineteenth century were portrayed by him, so Petőfi’s popularity is underscored by the fact that the lead portraitist depicted him in 1846. As an engraving, it was published first on the cover of Petőfi’s Selected Poems in 1846, which immediately conveys several metaphorical messages. With its opening or initiating function, the picture reinforces the poet’s intention: his aim was to be considered as the embodiment of poetry itself. In his lifetime, and particularly after his death, this image became the most well-known portrayal of Petőfi, and was reproduced extensively. It gives a characteristic glimpse of the method of the construction of Petőfi’s Romantic authorship through symbolic portraits from the nineteenth century.
Continue reading “Miklós Barabás, Bust of Sándor Petőfi (1846)”
Contributor: Emese Asztalos
Location: Private collection, Hungary
Description: When the poet, János Erdélyi (1814 – 1868) left Hungary in the mid-1840s to join a former pupil on his Grand Tour, he took this Travelling Box with him. The box could be held in its owner’s lap throughout the journey, and it was also appropriate to use it in a comfortless guesthouse. It has several functions: it is a writing-desk, toilet-table, treasure chest and a kind of workplace, from which Erdélyi sent reports about his travels to Hungarian journals. Beside papers, inks, correspondence, and pens, it could hide toilet accessories and secret belongings. The mirror could help with shaving, which was very important for Hungarian nobles or intellectuals, who were especially proud of their beards.
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Contributor: Zsuzsanna Zeke
Location: Petőfi Literary Museum, Károlyi Street 16, 1053-Budapest, Hungary
Description: This leather wallet was given by Júlia Szendrey to her husband, the poet Sándor Petőfi (1823-1849), for a keepsake. It is held in Budapest in the Petőfi Literary Museum, which also houses some of the Hungarian National Poet’s manuscripts, books and relics. A typical Biedermeier souvenir, made of goatskin, lined with silk and decorated with pearl embroidery (Holbein stitch/gobelin), it measures 30 x 15 cm (when open) and contains coins and a pencil with a metal top. On one side there is a chubby, naked putto ’Amor’ flying with a bunch of flowers and the iconographic lettering Petőfi Sándornak Pest 1848 (for Sándor Petőfi [Buda]Pest 1848). On the other side are embroidered laurel branches and the Hungarian national colours, together with a line from Petőfi’s poem Talpra Magyar versért (‘Rise up, Magyar’). There is a clear tension between the two sides of the object.
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