Contributor: Lene Østermark-Johansen
Location: National Museum of Women in the Arts, Washington. Gift of Molly F. Sheppard
Description: An encounter in Rome in 1853 between the Brownings and the American sculptor Harriet Hosmer resulted in a life-long friendship and in this plaster cast of the poets’ hands, a year after Hosmer had become apprenticed to the English John Gibson in Rome. The Brownings had married in secret in London in 1846 and eloped to Italy, where they settled in Florence. The life-casting of their hands, subsequently joined into one compact piece, is a peculiar artwork, metonymic, truncated, indexical. The imprint of Elizabeth’s aging nails, thin veins, and atrophied right hand resting in Robert’s larger, firmer hand conveys the texture of skin and bone structure, giving the modern spectator a sense of being unusually close to the two long-dead poets: Elizabeth was 47 years old, Robert 41, when the casts were taken, and the eeriness of these hands, detached from their respective bodies, make us wonder about the purpose of this piece of sculpture.