Temple de la Sibylle, Buttes Chaumont park, Paris (1866)

Temple de la Sibylle, Buttes Chaumont park, Paris (1866)

Contributor: Joanna Beaufoy

Location: Paris, France

Description: ‘Temple d’amour’, a ‘Rousseau-ist rêverie’, ‘an ode to landscape art’… the small temple perched atop an artificial cliff in the Parc des Buttes Chaumont in Paris is worth the climb, so long as you are prepared for it for be closed once you get to the top.

Indeed, visitors to the Temple de la Sibylle over the last few decades have rarely seen it completely free of green and white plastic barricades, the French code for ‘keep out’. As the temple is in several ways hors-champ, there is a pleasing symbolism here. It is a celebration of the sublime within a city re-design that distanced itself from Romanticism. It is a perilous, impractical site requiring multiple restorations, but founded on the design principles of security, order and efficiency of Haussmanisation (urban destruction and rebuilding of Paris, 1853-1870). It provides a panorama over a non-æstheticised outer Paris, whereas elsewhere in the city’s redesign, citizens and visitors’ attention was carefully directed in an urban theatre of reveal/conceal to show off the most prestigious city sights. The temple feels slightly other-worldly, a celebration of the spiritual and the impossible, perhaps why still today it is a favourite meeting place for lovers.

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The Hellespont

Image of The Hellespont. A hilly horizon with blue water below and blue sky above

Contributor: Catriona Seth

Location: Turkey

Description: The name ‘Dardanelles’ might make you think of a busy shipping canal or of the site of a deadly First World War campaign. The ‘Hellespont’, which refers to the same body of water, might lead you to Hero and Leander’s sad story, recounted in classical sources, but also revived by Christopher Marlowe in 1598)or by Leigh Hunt in 1819. Both terms refer to a single strait. At its narrowest—where its currents are extremely strong—it is 1.2 kilometres across. Whilst it was made famous in myth and in history for tragic deaths, the site is also important for having offered Byron an occasion to accomplish a seemingly heroic act—swimming safely across—and to use this as an occasion for self-publicity which tells us something about how he viewed himself as an individual and as an author.

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Victor Hugo’s House in Pasaia

Black and white photograph of a house

Contributor: Juan Manuel Ibeas-Altamira

Location: Pasaia, Spain

Description (English): On July 18th 1843, Victor Hugo set out on his customary annual summer trip. With Juliette Drouet he headed for Gavarnie, Luz and Cauterets. The head of the French Romantics took notes on the way. As he crossed the border he was remembering the Hugo family’s previous stay in Spain: a trip towards the exotic was also a return to childhood.

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Mount Etna

The Eruption of Etna (oil on canvas)

Contributor: Cian Duffy

Location: Sicily, Italy (37°45.3N’ 14°59.7’E)

Description: With a current elevation of c.3350m (as of June 2019), Mount Etna is an active stratovolcano on the east coast of the island of Sicily. Etna was much less frequently visited during the late eighteenth and early nineteenth centuries than the more accessible Vesuvius, outside Naples, the usual terminus of the European Grand Tour (the main route to Sicily was via boat from Naples). The mountain had nevertheless been ‘famous from all antiquity for its vomiting up fire’, as John Dryden the younger (1688-1701), the son of the poet, reminds us in his posthumously-published Voyage to Sicily and Malta (1776). During the Romantic period, Etna and its eruptions were made the subject of many paintings and panoramas and featured also in numerous works of prose, verse, and drama produced and consumed across Europe.

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