Contributor: Clare Brant
In the Ermita San Antonio de la Florida, a chapel in Madrid with frescoes by Goya, there is a circular scene around the cupola. It shows St Antony raising a man back to life in order to answer the question: who murdered him? The saint’s father has been accused; the corpse says he was not the murderer – but does not say who was. A crowd watches: in contemporary dress, all sorts of characters look on, in all sorts of attitudes. Among the figures is a hunchback with a beautiful dog, a brown hound, who leans forward towards the saint with more attention than many of the people.