Contributors: Diego Saglia and Steve Wharton
Location: No. 20 Lansdown Crescent, Bath (UK)
Description: William Beckford (1760-1844), enfant terrible of Romantic-period Britain who lived into the Victorian age, left his mark in and on many of its literary and artistic manifestations. The son of a former Lord Mayor of London and one of the richest men in the kingdom, he was an aesthete interested in music, painting and objets d’art, a traveller, a novelist and the focus of a sexual scandal. In literature, he came to prominence as the author of the oriental gothic novella Vathek (1786), an extraordinarily imaginative work that opens with the description of Caliph Vathek’s fabulous palace of Alkoremi, an exotic fantasia on a par with the Prince Regent’s Pavilion at Brighton. A less conspicuous ‘oriental’ building project of Beckford’s was this small summer house or pavilion in the garden behind his Bath residence. Though diminutive, this building is full of surprises and tells the story of the diffusion of the Orient in the visual and spatial environment of the Romantic period, as well as in the context of an otherwise classically denotated city.
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Contributor: Teresa Rączka-Jeziorska
Location: Central State Historical Archives of Ukraine in Lviv, 3a Soborna sq., Lviv
Description: This piece of paper was found in 2015 in Lviv in the collection of the Central State Historical Archive of Ukraine. Written on it are the first forty verses of “Pan Tadeusz czyli ostatni zajazd na Litwie. Historia szlachecka z r. 1811 i 1812 we dwunastu księgach wierszem” [“Pan Tadeusz. A Story of the Gentry from 1811 and 1812. Comprising Twelve Books in Verse”], an epic poem that the Polish Romantic poet Adam Mickiewicz (1798-1855), inspired by love and longing for his homeland, created while in Paris (1832-1834). The handwriting is that of Mickiewicz; it has in addition a title and a legible signature in the same hand. The manuscript contains a previously unknown version of the ‘Invocation’ of the Polish national epic. It is possible to date this autograph to Mickiewicz’s residence in Paris through the paper. The manufacturer’s watermark (located in the right bottom corner, front — seashell and “WEYNEN” caption in an irregular octagon), identifies it as Timothée Weynen paper that was very popular in France in the 1830s. Mickiewicz used it mostly in the period from 1832 to 1836, writing most of “Pan Tadeusz” on it, including the so called Dzików manuscript of “Pan Tadeusz”, as well as his translation of Byron’s The Giaour (1833). It became part of a Romantic-era collection of “Autographs of Illustrious Men” which documented authors both old and contemporary, made by bookseller and antiquarian Ambroży Grabowski (1782-1868). Its story exemplifies how and why European Romantic culture was invested in holograph manuscripts associated with poets.
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