The Bersagliere student’s goodbye

Statue of two figures embracing.

Contributor: Elena Musiani

Location: Museo Civico del Risorgimento di Bologna

Description: This statuette, L’addio dello studente bersagliere (The Bersagliere student’s goodbye), is held in the Museo Civico Del Risorgimento of Bologna. The piece, in polychrome terracotta, by the sculptor Fortunato Zampanelli (1828-1909) from Forlì, was acquired by the Museum in 1939 from the sculptor’s son. The work was made during the years in which Zampanelli was still a student at the Accademia di Belle Arti of Bologna, as evidenced by the slightly ‘raw’ nature of the piece and the simple facial features of the young couple. At first glance, it seems a conventionally, even insipidly, sentimental and patriotic piece; but hidden within it lies a more urgently autobiographical and historical story of the young caught up in the war and revolution associated with Romanticism.

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The petition for Richard Lovell Edgeworth to be permitted to stay in Paris, 1803

Image of the petition and signatories. Ink on paper.

Contributor: Anne-Claire Michoux

Location: National Library of Ireland (Dublin)

Description: On the 21st of January 1803, Richard Lovell Edgeworth, who had been residing in Paris for a few months with his daughter Maria and other family members, was ordered by the police to leave the capital within twenty-four hours. This document is a copy of the petition addressed to the ‘Citoyen Grand Juge’, Claude Ambroise Régnier (nominated in 1802), signed by eighteen leading French and Genevese literary, scientific, and political authorities appealing against the order on the family’s behalf. Many of the signatories were members of the Institut national des sciences et des arts, founded in 1795, of which Napoleon was also a member, and were in high office as members of the Tribunat, one of the main legal institutions under Napoleon. The petition captures the still-operative Enlightenment belief in a republic of letters which privileges intercultural intellectual exchanges. It reflects the dream of a European intellectual community that endures beyond or despite political and military conflict.

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The Junot-Wellington Watch

Image of a the front and back of a pocket watch, gold on one side, platinum on the other

Contributor: Jorge Bastos da Silva

Location: Casa-Museu Medeiros e Almeida, Lisbon

Description: This state-of-the-art pocket watch was commissioned by General Jean-Andoche Junot, the commander of the first invasion of Portugal by Napoleon’s armies, from the famous Swiss clockmaker Abraham-Louis Breguet. After Junot’s death, the watch was sold back to Breguet and eventually came into possession of Junot’s enemy, the Duke of Wellington, as a gift from a comrade-in-arms. The watch thus suffered radical repurposing by a roundabout way, becoming a virtual war trophy. Its story points to the relevance of tracing the transit of objects to understanding the social and material culture of the Romantic period.

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