Contributor: Hannah Persson
Location: The Royal Danish Library, Copenhagen, Denmark
Description: Stowed away at the Royal Danish Library, this 200-year-old letter seems a forgotten rather than hidden national treasure. Yet it may have been the inspiration for the Danish national poet Adam Oehlenschläger’s unofficial national anthem “Der er et yndigt land” [There is a lovely country]. Dated “Lewarde, den 18. Sept. 1818”, signed “Frederik Pz. Hessen”, and addressed to “Selskabet til de skiønne og nyttige Videnskabers Forfremmelse” [the Society for the Promotion of the Beautiful and Useful Sciences], this letter promises a prize of 400 thaler for a competition to compose a new Danish national anthem.
Continue reading “The letter that instigated the nation-wide competition that inspired Adam Oehlenschläger to write the unofficial Danish national anthem”
Contributor: Cian Duffy
Location: Næsseslottet, 136 Dronninggårds Allé 136, DK-2840, Holte, Denmark
Description: This monument, tucked away in the gardens of the Dronninggård estate, northwest of Copenhagen, is, remarkably, the source of an essentially unknown poem by James Henry Leigh Hunt (1784-1859), the influential essayist, critic, journalist and poet, and the leader of the so-called ‘Cockney’ school of English Romanticism. Designed by the Danish neoclassical sculptor Johannes Wiedewelt (1731-1802), the monument features a twenty-nine line poem in French by the Dutch cavalry officer Jean Frédéric Henry de Drevon (1734-97), inscribed on a tablet of Norwegian marble. De Drevon’s lines are the source for Hunt’s poem, which was first published by John Carr (1772-1832) in A Northern Summer, in 1805.
Continue reading “‘Les Adieux de l’Hermite de Dronning-Gaard’”
Contributor: Robert W. Rix
Location: The National Museum of Denmark, Copenhagen.
Description: In December 1802, Adam Oehlenschläger (1779–1850) published Digte [Poems], a collection of new poetry which is today widely regarded as having inaugurated literary romanticism in the Nordic countries. In this collection, the most famous poem is ‘Guldhornene’ [The Golden Horns], which focuses on two horns made of sheet gold, which had recently been stolen from the Kunstkammer (Royal Collection) at Christiansborg palace, Copenhagen. The two horns were archaeological finds that have since been dated to the early fifth century. They were discovered in Gallehus, southern Denmark, at locations only a few metres apart, in 1639 and in 1734, respectively. The horns were for ceremonial use and had numerous figures (anthropomorphic, zoomorphic and hybrid subjects) embossed on their sides. One of the horns also bore a runic inscription in Elder Futhark. The theft and the subsequent police investigation were followed closely in the press; ‘Guldhornene’ can be situated as part of that national fascination with the loss of these artefacts.
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